Adrienne Rich

Poet

1929-05-16 – 2012-03-27

Adrienne Rich was an American poet, essayist, and feminist thinker. Her work explored identity, politics, and social justice across several decades of modern American literature. She received major literary honors including the National Book Award.

Quotes by Adrienne Rich

Was it worth while to lay— with infinite exertion— a roof I can't live under? — All those blueprints, closings of gaps,measurings, calculations? A life I didn't choose chose me: even my tools are the wrong ones for what I have to do. I'm naked, ignorant, a naked man fleeing across the roofs who could with a shade of difference be sitting in the lamplight against the cream wallpaper reading— not with indifference— about a naked man fleeing across the roofs.
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Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants, the marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
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In all societies, women are in double jeopardy; on the one hand we are expected to conform to certain emotional standards in our relationships with others at the penalty of being declared insane; on the other, our political perceptions are labeled irrational and hysterical.
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if you unquestioningly accept one piece of the culture that despises and fears you, you are vulnerable to other pieces.
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In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and our children.
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Feminism means finally that we renounce our obedience to the fathers and recognise that the world they have described is not the whole world. Masculine ideologies are the creation of masculine subjectivity; they are neither objective, nor value-free, nor inclusively human. Feminism implies that we recognise for us, the distortion, of male-created ideologies, and that we proceed to think, and act, out of that recognition.
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Re-vision--the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction--is for women more than a chapter in cultural history: it is an act of survival. Until we can understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society. A radical critique of literature, feminist in its impulse, would take the work first of all as a clue to how we live, how we have been living, how we have been led to imagine ourselves, how our language has trapped as well as liberated us, how the very act of naming has been till now a male prerogative, and how we can begin to see and name--and therefore live--afresh. A change in the concept of sexual identity is essential if we are not going to see the old political order reassert itself in every new revolution. We need to know the writing of the past, and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us.
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In a world where language and naming are power, silence is oppression, is violence.
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Women have been driven mad, gaslighted, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience. The truth of our bodies and our minds has been mystified to us. We therefore have a primary obligation to each other: not to undermine each others' sense of reality for the sake of expediency; not to gaslight each other.Women have often felt insane when cleaving to the truth of our experience. Our future depends on the sanity of each of us, and we have a profound stake, beyond the personal, in the project of describing our reality as candidly and fully as we can to each other.
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As a woman I have a country; as a woman I cannot divest myself of that country merely bu condemning its government or by saying three times As a woman my country is the whole world. -Notes Towards a Politics of Location.
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The lie [of compulsory female heterosexuality] is many-layered. In Western tradition, one layer— the romantic— asserts that women are inevitably, even if rashly and tragically, drawn to men; that even when that attraction is suicidal (e. g, Tristan and Isolde, Kate Chopin's "The Awakening') it is still an organic imperative. In the tradition of the social sciences it asserts that primary love between the sexes is "normal,' that women need men as social and economic protectors, for adult sexuality, and for psychological completion; that the heterosexually constituted family is the basic social unit; that women who do not attach their primary intensity to men must be, in functional terms, condemned to an even more devastating outsiderhood than their outsiderhood as women.
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Theory-the seeing of patterns, showing the forest as well as the trees
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Woman-identification is a source of energy, a potential springhead of female power, violently curtailed and wasted under the institution of heterosexuality. The denial of reality and visibility to women's passion for women, women's choice of women as allies, life companions, and community; the forcing of such relationships into dissimulation and their disintegration under intense pressure, have meant an incalculable loss to the power of all women to change the social relations of the sexes to liberate ourselves and each other. The lie of compulsory female heterosexuality today admits not just feminist scholarship, but every profession, every reference work, every curriculum, every organizing attempt, every relationship or conversation over which it hovers. It creates, specifically, a profound falseness, hypocrisy, and hysteria in the heterosexual dialogue, for every heterosexual relationship is lived in the queasy strobe-light of that lie. However we choose to identify ourselves, however we find ourselves labeled, it flickers across and distorts our lives.
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Vous travaillez pour l'armee, madame?' (You are working for the army?), a Frenchwoman said to me early in the Vietnam war, on hearing I had three sons.
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We lie under the sheetafter making love, speakingof lonelinessrelieved in a bookrelived in a bookso on that pagethe clot and fissureof it appearswords of a manin paina naked wordentering the clota hand graspingthrough bars:deliveranceWhat happens between ushas happened for centurieswe know it from literaturestill it happenssexual jealousyoutflung handbeating beddryness of mouth after pantingthere are books that describe all thisand they are useless
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And yet, protest it if we will,Some corner of the mind retainsThe medieval man, who stillKeeps watch upon those starry skeinsAnd drives us out of doors at nightTo gaze at anagrams of light.
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Storm WarningsThe glass has been falling all the afternoon, And knowing better than the instrument What winds are walking overhead, what zone Of grey unrest is moving across the land, I leave the book upon a pillowed chair And walk from window to closed window, watching Boughs strain against the skyAnd think again, as often when the air Moves inward toward a silent core of waiting, How with a single purpose time has traveled By secret currents of the undiscerned Into this polar realm. Weather abroad And weather in the heart alike come on Regardless of prediction.Between foreseeing and averting change Lies all the mastery of elements Which clocks and weatherglasses cannot alter. Time in the hand is not control of time, Nor shattered fragments of an instrument A proof against the wind; the wind will rise, We can only close the shutters.I draw the curtains as the sky goes black And set a match to candles sheathed in glass Against the keyhole draught, the insistent whine Of weather through the unsealed aperture. This is our sole defense against the season; These are the things we have learned to do Who live in troubled regions.
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You must write, and read, as if your life depended on it.
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We may feel bitterly how little our poems can do in the face of seemingly out of control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us kinship where all is represented as separa
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All human life on the planet is born of woman. The one unifying, incontrovertible experience shared by all women and men is that months-long period we spent unfolding inside a woman's body. Because young humans remain dependent upon nurture for a much longer period than other mammals, and because of the division of labor long established in human groups, where women not only bear and suckle but are assigned almost total responsibility for children, most of us first know both love and disappointment, power and tenderness, in the person of a woman.
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