Caroline Polachek
Musician
1985-06-20
Quotes by Caroline Polachek
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My parents got divorced when I was really young and I was a very hyperactive kid, so both parents independently would play Enya at the house to calm me down and soothe me as a kid.
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I just started studying opera - very, very much as hobby - and for some reason I've been gravitating toward French composers, like a lot of Debussy and Faure. I find it a really sinuous and spooky language to sing in.
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I've probably listened to 'Try Me' by DeJ Loaf 500 times. It's a little slower than your typical strut BPM, but it still works.
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Driving in Chicago wins over New York; people are so fast. It's almost like there's a subliminal street racing culture here. They drive like comic book characters.
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If you're walking through the Union Square subway station - New Yorkers know it's obnoxious and crowded, and in the summer it's too hot - there are always amazing musicians playing, and sometimes there are multiple, different musicians set up in there.
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I woke up in London one morning in the middle of an adrenaline surge, and I was just lying there - the sun was coming up - trying to think of the best way to describe this feeling, and 'pang' was the only word I could really use to describe it.
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But synthesizer music has been accepted as emotional for long enough that it isn't a huge reach, conceptually, to think of a fake voice as 'emotional', especially since there's a human composing it.
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The men's dance style in dancehall is territorial, but it's also flirtatious and it's also showing off strength by way of smooth movement that you can only do if you're really strong. It has so much attitude.
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My mom wasn't thrilled about me being in a band, because she very correctly said she couldn't see any sort of stability in it.
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Arcadia' was started and finished at the Medici villa in Rome.
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I was actually really stunned that my label suggested 'Door' as the single to lead with, as it's such a long and winding song.
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