Christopher Nolan
Director
1970-07-30
Christopher Nolan is a British-American filmmaker known for films including The Dark Knight trilogy, Inception, Interstellar, and Oppenheimer. His work is recognized for nonlinear storytelling and large-scale practical filmmaking.
Books by Christopher Nolan
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Dunkirk
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Quotes by Christopher Nolan
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You're never going to learn something as profoundly as when it's purely out of curiosity.
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You're never going to learn something as profoundly as when it's purely out of curiosity.
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The problem with big films is they snowball very rapidly and you can never pull back. It's a pipeline that needs to be fed.
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I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien', 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.
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If I could steal someone's dream myself, I'd have to go for one of Orson Welles.
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Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously.
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For me, Batman is the one that can most clearly be taken seriously. He's not from another planet, or filled with radioactive gunk. I mean, Superman is essentially a god, but Batman is more like Hercules: he's a human being, very flawed, and bridges the divide.
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Batman and Superman are very different characters but they're both iconic and elemental. Finding the right story for them both is the key.
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As soon as television became the only secondary way in which films were watched, films had to adhere to a pretty linear system, whereby you can drift off for ten minutes and go and answer the phone and not really lose your place.
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I'm very happy where 3-D is going, which is that it's becoming a choice - and thankfully, most people are still choosing 2-D.
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When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way your brain works can be leveraged for something you could never do in the real world.
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I don't particularly enjoy watching films in 3D because I think that a well-shot and well-projected film has a very three-dimensional quality to it, so I'm somewhat sceptical of the technology.
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I never considered myself a lucky person. I'm the most extraordinary pessimist. I truly am.
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I think there has been this increasing misperception that kids will not respond to something because it's also for adults. I think that often that tends to get underestimated.
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I think there's a vague sense out there that movies are becoming more and more unreal. I know I've felt it.
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The thing with computer-generated imagery is that it's an incredibly powerful tool for making better visual effects. But I believe in an absolute difference between animation and photography.
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In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural terms, that can be a good thing, but when you're trying to break into the film industry, it's definitely a bad thing.
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We all wake up in the morning wanting to live our lives the way we know we should. But we usually don't, in small ways. That's what makes a character like Batman so fascinating. He plays out our conflicts on a much larger scale.
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I sometimes think how strange it is that I've got to do exactly what I want, and that is difficult to cope with. You have to remind yourself every few weeks: I'm making this film and this is exactly what I want to do. And suddenly you're happy again.
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One of the things you do as a writer and as a filmmaker is grasp for resonant symbols and imagery without necessarily fully understanding it yourself.
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