David Harbour

I do feel like anything benefits from character logic. That can be from the dumbest ad to the greatest Shakespearean drama to the silliest 'Saturday Night Live' sketch. There is a certain specificity in detail, which you can get when you're paying attention to stuff like that.

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Some people get very successful for something they're very cynical about - like Alec Guinness in 'Star Wars.' He thought it was ridiculous. Whereas for me, I'm so proud of 'Stranger Things.' I'm so proud of everyone's work in it. And it's become so successful. So for those two to meet is incredible.

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All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'

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I'm terrified of the ocean. I think it's beautiful and magical, but I never go in. That deep, dark water, with no understanding of what goes on behind it - I think that's a metaphor for a lot of things.

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I was very resistant to my intellectualism for a while. I do start with an intellectual idea for a character. A lot of the times, it'll be the opposite of what I feel like is on the page, or it'll be just an idea that I read in a psychology textbook or in a philosophy book. I'll apply something to it that I can start to tinker with.

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One of the most beautiful things about Shakespeare's Hamlet is when he stops in the middle of the play to ask, 'To be or not to be?' Then, right at the end, he decides to 'let be.' The first season of 'Stranger Things' was Hopper asking whether 'to be or not to be' and the second is to 'let be.'

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I loved 'True Detective' so much in Season 1, and then when the Season 2 monstrosity came around, I was like, 'What is this show? What have you done to this show?'

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Netflix sees people as users or subscribers or customers. Historically, networks have seen people as viewers.

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One of the things about having played a lot of villains is... I don't have the same experience of someone who maybe has been a leading man since they were 22 and therefore looks at certain things in a character to romanticize themselves. I actually very much embrace the bad stuff.

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What I'm dealing with in 'Hellboy' is a lot different, bigger in a certain way. It's very Shakespearean. It's demons and witches and stuff like that. But it has a similar core to a dude who's trapped in horrible circumstances who's just trying to be a good guy.

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Quotes by David Harbour