Diablo Cody
Writer
1978-06-14
Quotes by Diablo Cody
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He is the cheese to my macaroni.
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He is the cheese to my macaroni.
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I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
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I absolutely relate to being alone in squalor, trying to come up with something adequate. I relate to that, and I've been known to crawl out of bed and drink out of a 2-liter bottle of Diet Coke.
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I wrote a screenplay for a 'Sweet Valley High' adaptation, and it's really amazing to me how many women who are my age have responded to the idea and are excited about the movie.
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Everybody knows that I'm not a snob when it comes to pop culture, obviously. I love reality shows.
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Speaking of Twitter, I don't even know if I composed a blog entry in 2009, as I was too busy parceling my every thought into cute 140-character sound bites. I used to only worry about being pithy for a living; now some of my best lines are wasted on a free app!
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And I think I'm an adrenaline junkie, and there's nothing that will spike your adrenaline more than sitting in a theater and listen to an audience react to something you've written.
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As a kid, I spent every summer bent over a stack of books, obsessively writing detailed reports on each one.
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I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
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When I was a kid, I attended a small Catholic school in a south suburb of Chicago.
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I don't know why, but I've always been a sucker for roller coasters in movies.
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There's something magical about spending a Sunday night watching real people at a deli, then watching fake people pretending to be real on TV, then engaging in (arguably) false interaction with (arguably) real people on the Internet. Never at any prior point in time has this been possible.
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Tabloid photos capture people at their most self-conscious and disoriented; in real life, Paris Hilton is like an elegant paper crane.
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Hollywood is a perpetual summerland, a temperate, godless yaw where the very word 'season' has been co-opted by television executives. There are few harbingers of winter here.
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There's probably no experience more alienating than fame, other than a terminal illness, where you actually find yourself in a situation that nobody around you can relate to.
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People don't have these tidy little redemption arcs in reality the way they do in movies.
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Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.
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Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
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I just want to be able to keep my house and pay for my son's school tuition in Los Angeles.
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