Gerard Manley Hopkins

Poet

1844-07-28

Quotes by Gerard Manley Hopkins

• ...Where we, even where we mean To mend her we end her, When we hew or delve:After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc únselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene.

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• ...O if we but knew what to do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender,

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• No wonder of it: sheer plod makes plough down sillionShine, and blue-bleak embers, ah my dear, Fall, gall themselves, and gash gold-vermilion.

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• The effect of studying masterpieces is to make me admire and do otherwise. So it must be on every original artist to some degree, on me to a marked degree.(from notes on 'Heraclitean Fire')

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• What are works of art for? to educate, to be standards. To produce is of little use unless what we produce is known, is widely known, the wider known the better, for it is by being known that it works, it influences, it does its duty, it does good. We must try, then, to be known, aim at it, take means to it. And this without puffing in the process or pride in the success.

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• Where lies your landmark, seamark, or soul's star?

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• The Best ideal is the true and other truth is none. All glory be ascribed to the holy Three in One.

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• O the mind, mind has mountains; cliffs of fallFrightful, sheer, no-man-fathomed.

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• Let Him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east.

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• What would the world be, once bereft Of wet and of wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet.

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• NOT, I'll not, carrion comfort, Despair, not feast on thee;Not untwist— slack they may be— these last strands of manIn me ór, most weary, cry I can no more. I can;Can something, hope, wish day come, not choose not to be.

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• All things therefore are charged with love, are charged with God and if we knew how to touch them give off sparks and take fire, yield drops and flow, ring and tell of him.

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• ...O if we but knew what to do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender,

  Read quote

• NOT, I'll not, carrion comfort, Despair, not feast on thee;Not untwist— slack they may be— these last strands of manIn me ór, most weary, cry I can no more. I can;Can something, hope, wish day come, not choose not to be.

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• No wonder of it: sheer plod makes plough down sillionShine, and blue-bleak embers, ah my dear, Fall, gall themselves, and gash gold-vermilion.

  Read quote

• What are works of art for? to educate, to be standards. To produce is of little use unless what we produce is known, is widely known, the wider known the better, for it is by being known that it works, it influences, it does its duty, it does good. We must try, then, to be known, aim at it, take means to it. And this without puffing in the process or pride in the success.

  Read quote

• ...Where we, even where we mean To mend her we end her, When we hew or delve:After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc únselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene.

  Read quote

• The effect of studying masterpieces is to make me admire and do otherwise. So it must be on every original artist to some degree, on me to a marked degree.(from notes on 'Heraclitean Fire')

  Read quote

• The Best ideal is the true and other truth is none. All glory be ascribed to the holy Three in One.

  Read quote

• O the mind, mind has mountains; cliffs of fallFrightful, sheer, no-man-fathomed.

  Read quote