Harvey Pekar
Writer
1939-10-08
Books by Harvey Pekar
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American splendor. More American splendor
the life and times of Harvey Pekar : stories
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Best of American splendor
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The best American comics 2006
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Quotes by Harvey Pekar
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My parents' work ethic amazed me. How could they put in such long hours, day after day?Part of the reason was to keep the family going - to keep me going. I realized that, although we had different values derived from different cultures and wouldn't agree on certain issues, they were good people, incredible people, and I loved and respected them.
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Ordinary life is pretty complex stuff.
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Ordinary life is pretty complex stuff.
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My parents' work ethic amazed me. How could they put in such long hours, day after day?Part of the reason was to keep the family going - to keep me going. I realized that, although we had different values derived from different cultures and wouldn't agree on certain issues, they were good people, incredible people, and I loved and respected them.
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I kept on buying records and listening to them. Finally, I was able to hear the relationship between the jazz improvisers' solos and the underlying structure that it's based on, the chord progression. That was pretty easy to do in the swing era, y'know, when jazz was, like, pop music, you know. It had made the charts and everything like that.
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I came up with American Splendor. Some people think it's American Squalor.
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I was sort of on a mission with 'American Splendor.' I wanted to try to prove that comics could do things. I wanted to expand them beyond superheroes and talking animals. And I knew that was going to take a long time. But I just started writing an autobiography about my quotidian life.
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American Splendor is just an ongoing journal. It's an ongoing autobiography. I started it when I was in my early 30s, and I just keep going.
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I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.
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There's no limitation on comics, nothing. From a logical standpoint, how can there be a limitation on comics? You can use any word in the dictionary. You can put them in any order you want to. You can use a vast variety of illustrating styles. People could do all sorts of things.
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I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist.
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I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
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The film's success so far involves winning a couple of prizes at Cannes and Sundance, and getting some very nice reviews in newspapers and magazines. That hasn't had a big impact on my life yet.
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I wake up every morning in a cold sweat, regardless of how well things went the day before. And put that I said that in a somewhat but not completely tongue-in-cheek way.
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I don't mind if I show myself being cheap or unreasonable sometimes.
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When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
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