Idina Menzel
Actress
1971-05-30
Books by Idina Menzel
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Proud Mouse
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Into the Unknown (from Frozen 2) - Easy Piano Sheet Music
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Quotes by Idina Menzel
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I always use my husband's cocoa butter stuff. He has amazing skin!
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I love working with a cast and a group of people every day, which is different than recording because you're usually pretty isolated and alone. They serve as a good balance for each other.
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I set the bar high because I don't want to do just any other show just to keep working. I want to do something special that means something to people and speaks to them. Those kinds of opportunities don't come along all the time!
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I've met so many of my idols, but the one person that has eluded me is Bono. But because he's done 'Spider-Man,' I keep thinking maybe, through a Broadway connection, somehow our paths will eventually merge.
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I was once an extra in a Bruce Springsteen video where they did a live performance video at Tramps. I forget the name of the song.
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The most successful people are so original.
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It's been a dream of mine to run my own summer camp. I went to one as a kid, and I put on productions, and got lots of confidence.
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Along with enough sleep and taking proper supplements, I steam - in my steam shower. I find it's very healing, more than just your typical 'tea and honey.'
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I always like to sing barefoot, but when I first started doing these dates with the symphonies, I of course thought I should clean up my act, being a Jewish girl from Long Island with a little bit of a trucker mouth. So I wore a gown and some high heels.
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I'm a decent tennis player. Good backhand.
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The more success you get, you start to be harder on yourself or more afraid of the looking glass. You have to learn to build a thicker skin because people are paying more attention.
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I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
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As much as I appreciate people putting me in the category of these very acrobatic belters, I feel like my strength is my... interpretation and my truthfulness with songs, and I don't want young people to think it's all about the high notes that they have to hit.
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If I want to tuck my son into bed and read him a story, but that means I have to take a red-eye to get to a concert - which I would never think of doing otherwise - that's just the way it is. Even if I can't hit the note that night, I got to tuck my child in!
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As an artist, you have to express yourself. I make no excuses for my versatility. I grew up singing classical arias, but I love rock n' roll and jazz standards.
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I can sing 'Happy Birthday' to you in twelve different places, but one of them is going to make you feel a certain thing, maybe it's a vulnerability, maybe an innocence, maybe another way is sexy and soulful or bluesy whatever it is, but with singers, exploring keys, I think, is important.
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You can't be the vulnerable, transparent, raw person required to be an artist, and then cover that stuff up and meet the world with some kind of armor on. It just doesn't go.
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I feel like I was born to do this... I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
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I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
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After 'Rent,' I tried to make a record, and it didn't work out, and it was the Broadway community that welcomed me back. It's where I feel the most understood, most at home.
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