Jonathan Dee

Books by Jonathan Dee

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In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.
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The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence.
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New York is ultimately not the synthesis but merely the sum of its unfathomable subjectivities, its personal histories, its uncategorisable figures.
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Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.
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Don't get me wrong: I can and do waste time on the Internet with the best of them, but in some respects, I am an embarrassingly analog guy. I am not on Facebook. I write whole books on yellow legal pads. I do not own a cell phone.
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There's no path to being a writer that's applicable to everyone. Some young writers have the fortitude to work in a vacuum. For me, it was important to have some sense that my failures weren't unique.
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