Kehinde Wiley
Books by Kehinde Wiley
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Kehinde Wiley
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Interview with Larry Niven
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Neo Baroque!
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Quotes by Kehinde Wiley
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Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends.
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My interest is in completing an image that is spectacular beyond belief. My fidelity is to the image and the art and not to the bragging rights of making every stroke on every flower. I'm realistic.
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My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
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Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope.
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I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily.
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The beauty of art is that it allows you to slow down, and for a moment, things that once seemed unfamiliar become precious to you.
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Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with.
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It's sad, the enslavement of the black underclass to designer labels - we're an age that cares more about Versace than Vermeer.
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If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world.
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Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic.
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