Richard Price
Writer
1949-10-12
Quotes by Richard Price
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Rocco was gripped with the panic he often experienced around her, around himself. He seemed to be both here now and simultaneously five years in the future looking back at this moment, at the loss of this moment. He was always sliding past the nowness of being with her, throwing himself at her like a cranked-up insincere clown for an exhausting fifteen minutes a day or getting cozy with booze in order to achieve the proper mood, and from the time she was born he had felt he was on his deathbed, remembering with regret how skittish and slippery his time with her had been. Had been, as if she were a hard thirty-seven and divorced instead of a two-year old baby, as if he were eighty-six and senile instead of forty-three and slightly overweight.
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On the nights they went to bed at the same time, Rocco would lie there and watch her go to the closet, watch her choose either silky slips or mannish shirts, like running up sex flags from across the room.
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You don't write about the horrors of war. No. You write about a kid's burnt socks lying in the road.
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You don't write about the horrors of war. No. You write about a kid's burnt socks lying in the road.
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On the nights they went to bed at the same time, Rocco would lie there and watch her go to the closet, watch her choose either silky slips or mannish shirts, like running up sex flags from across the room.
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Rocco was gripped with the panic he often experienced around her, around himself. He seemed to be both here now and simultaneously five years in the future looking back at this moment, at the loss of this moment. He was always sliding past the nowness of being with her, throwing himself at her like a cranked-up insincere clown for an exhausting fifteen minutes a day or getting cozy with booze in order to achieve the proper mood, and from the time she was born he had felt he was on his deathbed, remembering with regret how skittish and slippery his time with her had been. Had been, as if she were a hard thirty-seven and divorced instead of a two-year old baby, as if he were eighty-six and senile instead of forty-three and slightly overweight.
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If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged.
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I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions.
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The kind of event on a conveyor belt that causes a fire occurs in a variety of industrial environments, not uniquely in coal environments.
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The first thing to look out for after your first big success are drugs and screenplays.
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