Robert Penn Warren

Novelist

1905-04-24

Quotes by Robert Penn Warren

• I know nothing I'm doing is important,' he said. 'Sure, I'm just a waste product of history. Maybe nothing I'm doing is even real, after all. But I was born right here, in this old house, and I look out the window and know what I'm seeing, and I know some people I like to be with, and I like what I do all day long, and maybe that's all that realness is, anyway

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• Furthermore, a society with no sense of the past, with no sense of the human role as significant not merely in experiencing history but in creating it can have no sense of destiny. And what kind of society is it that has no sense of destiny and no sense of self? That has no need or will to measure itself by the record of human achievement and the range of human endowment? And here we may pause to ask what our society measures itself by. Is it only by the ability to gratify immediate appetites, capacity for consumption, and the GNP?

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• But, the stultifying lingo aside, the question I raise is a vital one for us all, we are all stuck with trying to find the meaning of our lives, and the only thing we have to work on, or with, is our past.

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• It is hard to remember.—"Remember what?""All that goes into the making of any one moment we live. There are things one must try to remember. Do you know what is the hardest thing to remember?""No," Adam said."Well, I'll tell you, my son," Aaron Blaustein said. "The hardest thing to remember is that other men are men." He leaned to set his cup down. "But that," he said, —is the only way you can be a man yourself. Can be anything.

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• The lack of a sense of history is the damnation of the modern world.

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• ...by the time we understand the pattern we are in, the definition we are making for ourselves, it's too late to break out of the box. We can only live in terms of the definition, like the prisoner in the cage in which he cannot lie or stand or sit, hung up in justice to be viewed by the populace. Yet the definition we have made of ourselves is ourselves. To break out of it, we must make a new self. But how can the self make a new self when the selfness which it is, is the only substance from which the new self can be made?

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• The struggle for power conducted along logical lines is much more likely to occur in smoke-filled rooms than at the polls. The party system is a grid, a filter, a meat chopper, through which issues are processed for the consuming public. The Civil War confirmed our preference for this arrangement. We like the fog of politics, with the occasional drama of the flash of a lightning bolt that, happily, is usually nothing more than a near miss.

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• That old unionism was, however, very different from the kind we live with now. We do not live with an ideal, sometimes on the defensive, of union. We live with the overriding, overwhelming fact, a fact so technologically, economically, and politically validated that we usually forget to ask how fully this fact represents a true community, the spiritually significant communion which the old romantic unionism had envisaged.

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• A civil war is, may we say, the prototype of all war, for in the persons of fellow citizens who happen to be the enemy we meet again, with the old ambivalence of love and hate and with all the old guilts, the blood brothers of our childhood. In a civil war – especially in one such as this when the nation shares deep and significant convictions and is not a mere handbasket of factions huddled arbitrarily together by historical happen-so – all the self-divisions of conflicts within individuals become a series of mirrors in which the plight of the country is reflected, and the self-division of the country a great mirror in which the individual may see imaged his own deep conflicts, not only the conflicts of political loyalties, but those more profoundly personal.

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• Let us leave in suspension such debates about the economic costs of the War and look at another kind of cost, a kind more subtle, pervasive, and continuing, a kind that conditions in a thousand ways the temper of American life today. This cost is psychological, and it is, of course, different for the winner and the loser.

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• The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, "Gee, listen to this–'On Wenlock Edge the wood's in trouble; His forest fleece the Wrekin heaves–'" The Friend of Your Youth is your friend because he does not see you anymore.And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn't matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn't the slightest concern with calculating his interest or your virtue. He doesn't give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn't really belong to your face), saying, —Well, Jack, damned glad you came, come on in, boy!

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• If you want him to do it, you've got to change the picture of the world inside his head.

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• you live through . . . that little piece of time that is yours, but that piece of time is not only your own life, it is the summing-up of all the other lives that are simultaneous with yours. It is, in other words, History, and what you are is an expression of History.

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• I got an image in my head that never got out. We see a great many things and can remember a great many things, but that is different. We get very few of the true images in our heads of the kind I am talking about, the kind that become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer among the unanswered letters.

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• They say you are not you except in terms of relation to other people. If there weren't any other people there wouldn't be any you because what you do, which is what you are, only has meaning in relation to other people.

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• Real writers are those who want to write, need to write, have to write.

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• And the testicles of the fathers hang down like old lace

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• BeautyIs the fume-track of necessity. This thought Is therapeutic.If, after severalApplications, you do not findRelief, consult your family physician

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• The poem is a little myth of man's capacity of making life meaningful.

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• Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.

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