Sally Mann
Photographer
1951-05-01
Quotes by Sally Mann
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The hardest part is setting the camera on the tripod, or making the decision to bring the camera out of the car, or just raising the camera to your face, believing, by those actions, that whatever you find before you, whatever you find there, is going to be good.
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Part of the artist's job is to make the commonplace singular, to project a different interpretation onto the conventional.
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I'm going out on a limb here and say that I believe my morality should have no bearing on the discussion of the pictures I made. ... Oscar Wilde, when attacked in a similar ad hominem way, insisted that it is senseless to speak of morality when discussing art, asserting that the hypocritical, prudish, and philistine English public, when unable to find the art in a work of art, instead looked for the main in it.
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The act of looking appraisingly at a man, studying his body and asking to photograph him, is a brazen venture for a woman; for a male photographer, these acts are commonplace, even expected.
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The hardest part is setting the camera on the tripod, or making the decision to bring the camera out of the car, or just raising the camera to your face, believing, by those actions, that whatever you find before you, whatever you find there, is going to be good.
Read quote -
I'm going out on a limb here and say that I believe my morality should have no bearing on the discussion of the pictures I made. ... Oscar Wilde, when attacked in a similar ad hominem way, insisted that it is senseless to speak of morality when discussing art, asserting that the hypocritical, prudish, and philistine English public, when unable to find the art in a work of art, instead looked for the main in it.
Read quote -
The act of looking appraisingly at a man, studying his body and asking to photograph him, is a brazen venture for a woman; for a male photographer, these acts are commonplace, even expected.
Read quote -
Part of the artist's job is to make the commonplace singular, to project a different interpretation onto the conventional.
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I taught up in Maine a couple of times and wasn't able to take a single picture. All that blue sky! Ugh. Sparkling clear air, just terrible. I couldn't do it.
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I couldn't be Susan Sontag. I'm not very good with abstract thought. I always just take to the emotional core of me.
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I baked bread, hand-ground peanuts into butter, grew and froze vegetables, and, every morning, packed lunches so healthful that they had no takers in the grand swap-fest of the lunchroom.
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It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
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I have a vivid, apocalyptic imagination.
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Each time you take a good picture, you have the wonderful feeling of exhilaration... and almost instantly, the flip side. You have this terrible, terrible anxiety that you've just taken your last good picture.
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I try and take the commonplace - and some of it is writ large, like death - take the commonplace and make it universally resonant, revelatory, and beautiful at the same time.
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