Tom Ellis

I think about the movie 'Jaws.' They had this state-of-the-art animatronic shark, but it kept breaking down, which kept delaying the filming. So, they had to use it very sparingly, but it became why the film was so good because you never saw the shark. You only heard about it, and it was suggested.

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When I was eight or nine, I came to London for the day from Swindon and went to The National Gallery. I remember standing in Trafalgar Square with my best friend Tim, who was covered in pigeons because I put bird seed on his head.

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I have a transient lifestyle. America is where I come to work, but my home is London. I like being bi-continental.

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This is going to sound so boring, but I play golf in Hertfordshire at a club called Sandy Lodge just by Moor Park Tube station. It's where I unwind and don't think about anything else.

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What I really wanted to do was take this character and go beneath the veneer of Lucifer. Underneath it all, there was a guy who was a hurt soul and rejected from his father. How that played upon his choices was kind of interesting, but also it's going inside a shell of someone who doesn't know what an emotion is.

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Lucifer likes to have fun, but we need to make sure that he's also rooted in a proper journey. For the first few episodes after a pilot, you're just trying to establish your world and the starting points for your characters. But I feel like, as the stakes went up, the 'Lucifer' veneer got less and less.

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Quotes by Tom Ellis