The master's tools will never dismantle the master's house. They may allow us to temporarily beat him at his own game, but they will never enable us to bring about genuine change.

If you are neutral in times of injustice, you have chosen the side of the oppressor.

Such terms as 'diagnosis' and 'pathology' are of course used analogically here, but I am using the word 'science' deliberate and unequivocally in its original and broad sense of discovery and knowing, rather than its conventional sense of isolating the secondary causes of natural phenomena. For if I believe anything, it is that the primary business of literature and art is cognitive, a kind of finding out and knowing and telling, both in good times and bad; a celebration of the way things are when they are right, and a diagnostic enterprise when they are wrong.

A black woman making art is a disruptive act. Every story that I tell as a woman is a political act, even if I want to tell a 'silly love story.' The fact it exists through my gaze is radical.

My grandmother and my two aunts were an exhibition in resilience and resourcefulness and black womanhood. They rarely talked about the unfairness of the world with the words that I use now with my social justice friends, words like intersectionality and equality, oppression, and discrimination. They didn't discuss those things because they were too busy living it, navigating it, surviving it.