My father was in the navy. I always found it a bit strange that he would choose to spend an extraordinary amount of time underneath the water in a submarine with 60 men.

On shipbuilding, on submarine building, warship building, coastal surveillance or small vessel building, we have both public and private sector. The capacities have really been scaled up, and the skill sets, hi-tech skill sets, have been acquired.

I always like to grow, and I recognise that the Yellow Submarine have helped me.

It was a civilian ship, and the Lusitania could outrun any submarine. So this population of people was very confident that Cunard and the Royal Navy would be looking after them. Why weren't they under convoy? That's the real question.

I decided to restore 'Napoleon' after a widescreen festival at the Odeon Leicester Square in 1968. It was run by Richard Arnell and George Dunning, who animated and directed 'Yellow Submarine,' and they'd got their hands on the last scene, the triptychs. They just showed that part, without music and with the projectors misaligned.

The Lusitania is important, of course, because this is where Germany began its maritime campaign using this brand-new weapon. We have to appreciate how the submarine, as a weapon against civilian shipping, was a particularly novel thing - so novel that many people at the time dismissed its potential power, its potential relevance.

People laugh at my analogy in most cases - I go, 'Yeah, everything looks awesome on paper until you stick six guys in a submarine and go, 'Okay, go out and conquer America.''

The submarine genre is a category with all its own rules. But shooting on water is famously tough.

The great thing about making a film on a submarine is that it's kind of like making a play. You've got this limited environment.

In high school, I stole a six-foot submarine sandwich from a banquet room in front of several hundred people. I did it because I was in marching band, and we were promised food if we played, and they broke their promise. It was my first and only heist, motivated by justice and hunger.

'Phantom' follows some of the best submarine cold-war films made. There's just so much tension, I can't even describe it - you have to see it.

But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.

Our film examines the heroism, courage and prowess of the Soviet submarine force in ways never seen before.

I live on an old tugboat but feel that having a submarine would be the next level.

I actually spoke at the christening of the USS Minnesota - it was a really, very cool submarine in Norfolk.

I was interested in science or, at least, nature from an early age, learning the names of planets, cutting cartoons with facts about animals out of the newspaper and gluing them into a scrapbook, and, with a friend when I was five or six, trying to design a submarine.

If you think about computing, there isn't just one way to compute, just like there's not just one way to move around. You can have shoes, you can have a car, you can have a bicycle, submarine, rocket, plane, train, glider, whatever. Because you have one doesn't mean you get rid of another one... But PCs continue to be important.

Never tell anyone outside my staff that the Submarine Force and the First Air Fleet were responsible for the failure at Midway. The failure at Midway was mine.

When I was in school, the first song I learned was of Simon and Garfunkel and The Beatles. I couldn't even pronounce their names but I was singing 'Hello Darkness my old friend' and 'Yellow Submarine.'

I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.