Early on in my career, I'd go into the makeup trailer, and they'd spend an hour doing my makeup, and I would hate it. I'd go into the bathroom, wash it off and start over again, which took an enormous amount of time. So I just started doing it myself.

I have a bag with a toothbrush and toothpaste and all the things I might need during the day. I call the bag my trailer. Sometimes you don't have a trailer, so that's my trailer.

I was on a strict diet to stay in shape for 'Jack Reacher,' but each day on set in New Orleans, catering dropped off delicious food at my trailer.

'Clown' started as a fake trailer for a nonexistent movie.

My sister wanted to be an actress, but she never made it. She does live in a trailer. She got halfway. She's an actress, she just never gets called to the set.

The excitement really didn't start to build until the trailer - which was carrying me, with a space suit with ventilation and all that sort of stuff - pulled up to the launch pad.

This is my first experience working in a foreign movie, but the mechanics, I think, are pretty much the same all over; you still have to wait in the trailer.

We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech.

I want to play trailer trash; I swear to God.

Frankly, I think I'm marvelous in rehearsal! Then you turn the camera on, and it gets stiff and tight. And then you trudge back to your trailer feeling sad. That's been my experience of film acting.

If the Constitution was a movie, the Preamble would be the trailer, the First Amendment the establishing shot, the 13th the crowd pleaser and the 14th the ultimate hero scene.

I watch ESPN all day. If you come into my trailer, ESPN is on. That's the first thing I do when I leave the set.

Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.

Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.

It's a risk casting anyone against type or what they're known to do. But there's one thing better than having a great actor, which is having a great actor who's never done what you're asking him to do. He's hungry to get out of the trailer every day and hungry to test himself.

There's nothing more damaging than an irate moviegoer who hasn't seen what the film trailer promised.

I'm a mad Gummi fan. I always have Gummis in my trailer. But you can't eat too many because then you get Gummi tummy, and that's no good. I can't believe I'm saying this.

Fred Durst gave my first wife a tattoo of a star on the bottom of her foot when she was 14 years old in his trailer home. So that was my first introduction to Limp Bizkit.

You can make a really good one minute trailer out of a really stinky two hour movie.

When you're just an actor, you do your role, and then you're in your trailer. It's not as hands on as when you're directing. You live and breathe it.