As far as expense, I think if 'Twilight' does well enough, then we should be able to do the big expensive stuff for the sequels. I mean, we have to have werewolves, there's no way around it. They have to be there.

There's no doubt that the Moon is more than a handy night light and a hair restorer for werewolves. It's responsible for the substantial amplitude of earthly ocean tides. These are of obvious influence if you're a geoduck, a type of clam that people dig up at low tide.

For me personally, I think I just enjoy movies about werewolves or vampires because it's not like an everyday thing. It's something you can really escape into.

If vampires and werewolves were walking around today, there would be chaos. People would be losing their minds.

I love inventing interesting people and then pushing them to their absolute limits - and usually those absolute limits involve homicidal faeries, werewolves, or some other paranormal menace.

Fantasy encompasses a wide, wide spectrum of writing. We have beast fables, we have gothics, we have tales of vampires and werewolves, and we have sword and sorcery; we have epics from Homer, and there is just so much out there that we put under the umbrella of 'fantasy.'

Basically, Urban Fantasy means D&D in New York. Ordinary people have no idea that they share the world with fantastic, supernatural creatures. It can't just be vampires or werewolves; it has to be a whole continuum of fantastic beings, with their own society within society.

I've done movies that I've been advised not to do. 'Dog Soldiers,' the movie I did 11 years ago now, I remember my agent at the time was like, 'You shouldn't do that. It's a weird film about werewolves,' and it became a cult hit.

I have a lot of 'Twilight' gear. I love the hoodies that say 'vampires' and 'werewolves,' but I refuse to get one because I can't choose; I have to have them both. I have the Team Edward T-shirt, but I also have Team Jacob.

Werewolves were far more terrifying than vampires. It is probably the idea of seeing the human within the beast and knowing you can't reach it. It might as well be a great white shark. There is no sitting down and discussing Proust with it, which the traditional vampire model seems to leave room for. You can have a conversation.

If being a werewolf is really a curse, you've got to treat it honorably. If werewolves are going to carry on, there has to be an incredibly powerful force. There is the business of the craving, the hunger for the kill. It has to be deeply pleasurable and more than an appetite for meat. There has to be a sensual dimension to it.

Werewolves are much more common animals than you might think.

The living werewolves have genuine needs and desires, which, though they may oppose ours, are valid. Even if they want to eat humans, you can't really call them evil, any more than mice can call cats evil, or chickens can call humans evil. It's all just a matter of where you're standing.

One of the things that seems absolutely clear to me about werewolves - with their canine makeup - is that they would be dogs, as it were.

Werewolves and Arabians. It's like chocolate and peanut butter - a delicious combination.

Romance readers love a wealthy hero, and why not? There's value in a man able to hire a helicopter, a coach and six horses, or a collection of werewolves to do his bidding - and the bidding of the lucky woman on his arm.

Twilight' has a supernatural reference to it with werewolves and vampires. 'Harry Potter' has magic. 'The Hunger Games' is about real people put into extreme situations and circumstances.

I've always been partial to werewolves, perhaps because there's a desperation to their plight that resonates.

I certainly believe that what we perceive as humans is just the tip of the iceberg. I don't necessarily believe in vampires or werewolves or that kind of thing, but I believe there is definitely a realm we don't necessarily have access to.

I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.