Peter Chelsom and Edgar Wright are totally different directors and worlds apart, but both really accomplished directors who are certain of how they want to make a film.

The movies I respond to are by guys like the Coen brothers and Edgar Wright, where it's hard to fit them into any one box.

Lizz Wright is my favourite singer. Her voice moves me and takes me to another place. She also grows her own food, and that inspires me.

Frank Lloyd Wright... his things were beautiful but not very functional.

And, finally, as a Republican, I believe it is important to keep our word and keep our covenant, and that is exactly what we should do with the Wright amendment today.

And I loved Frank Lloyd Wright. I think he was the greatest man I have ever met in my life.

I went to school with Steven Wright, who was the shyest guy I knew, and one day someone suddenly told me that he was in a club doing standup comedy. I went down to his club and he was great. Another friend of mine, who was pretty much a thief by trade, was hosting the show. So I thought, 'If these guys can do it, then so can I.'

As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.

I love Steven Wright. I was in high school in the '80s, and there was a lot of stand up on television.

I loved Stephen Wright, and I loved Mitch Hedberg, but they seemed like geniuses you could never emulate. You'd just be ripping them off.

Back in his Chicago Senate days, when he was seeking greater black credibility, Obama was happy enough to attend the Reverend Jeremiah Wright's Trinity United Church of Christ.

Something I'll always remember - when I was a kid, I shook hands with Orville Wright. Forty years later, I shook hands with Neil Armstrong. The guy that invented the airplane and the guy that walked on the moon. In a lifetime, that's kinda wild when you think about it.

A turning point in the public's perception of the building art came with the publication of Frank Lloyd Wright's 'An Autobiography' of 1932, a picaresque narrative that captivated many who hadn't the slightest inkling of what architects actually did.

Frank Lloyd Wright made houses right up until the end. I think that's important because it gives you a direct connection to all the basic aspects of architecture - the spatial energy of the place, the construction, the materials, the site, the detail.

The comedians I liked were Bill Cosby and Steven Wright, like just always as a comedic actor. I always liked Gary Larson, who's really funny for a cartoonist, obviously.

In 2004, we had a great year, with Samit Patel, Liam Plunkett, Tim Bresnan, Luke Wright, Alistair Cook. Some groups are not quite as strong.

Well, I called him and I said, Mr. Wright, what can I do? Universal offered me a contract $300 a week. He says take it. You'll never get that money from me.

My grandfather Frank Lloyd Wright wore a red sash on his wedding night. That is glamour!

Dodger Stadium is not an antique. It's not Frank Lloyd Wright. It's a nice place to play baseball, but there are far better.

There is something deeply disturbing about a popular culture that will not forgive the sins of the Confederacy seven generations past but celebrates the teachings and legacies of Che Guevara, Mao Zhe-Dong, and Jeremy Wright.