Young adult novels don't shy away from the discussion of weight issues, and 'Blubber,' the tale of an overweight, not-so-sympathetic fifth-grader bullied by her peers, is a refreshing take.

We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.

I think you are taken more seriously as a young adult when you are on a film set and you are doing a job and people expect something from you. Is that losing my youth? Not at all. I had a fantastic childhood.

I don't believe in 'thinking' old. Although I've transitioned through many bodies - a baby, toddler, child, teen, young adult, mid-life and older adult - my spirit is unchanged. I support my body with exercise, my mind with reading and writing, and my spirit with the knowing that I am part of the Divine source of all life.

I'd never been religious, but I'd always obeyed my elders. My decision to become an omnivore was fraught, not because it was a religious transgression but because it was my first act of self-assertion as a young adult.

The distinction has blurred between young adult and adult books. Some of the teen books have become more sophisticated.

I've always been a big guy, whether it's been a fat kid, a fat young adult, or a fat adult. I was always sort of... I guess the term would be 'popular.' I never dealt with a lot of name-calling or any of the bullying you'd think a fat kid might have to deal with.

'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.

I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.

That transition from child to adult actor is so incredibly elusive. The roles that were coming to me as a young adult were not that great, but I was taking them anyway to pay the rent. And the more bad roles in bad movies I took, the less anybody wanted me for a good role in a good movie.

When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.

I just remember that pivotal moment when you're a young adult, and you realize that these authority figures are human beings, too, and they're figuring out their lives just as you are, and they're flawed.

Putting lessons in young adult books is very dangerous.

I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.

I love how much love there is in the world of young adult and children's literature.

When I was born in 1942, World War II was still going. And I began to realize when I became a young adult that if we don't teach our kids a better way of relating to their fellow human beings, the very future of humanity on the planet is in jeopardy.

I am not only the person who wrote and sold a novel while raising a houseful of biological and foster children; I am also the person who wrote a horrific young adult novel that never sold and gave up on a foster child I couldn't handle - an experience that still haunts me.

People in the know say 'The Giver' was the first young adult dystopian novel.

When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.

I was a 'young adult' when I wrote 'The Outsiders,' although it was not a genre at the time. It's an interesting time of life to write about, when your ideals get slammed up against reality, and you must compromise.