I grew up in a lot of different homes when I was younger: my parents rented trailers and small, boxy houses set high on cement block pillars.

Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.

I'm a sucker for gag reels and teaser trailers for new seasons. One of the great parts of panels, especially on a show like 'Supernatural,' which can be so dark, it's fun to get up there and laugh and remember we're only telling a story. Seeing Eric Kripke and Ben Edlund up there being so funny always makes me laugh.

I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.

I always like teaser trailers because they don't give too much away, you know? They give just a flavor of what the thing is.

There's actors and actresses who I call 'Trailer Stars' because their importance is expressed by how big their trailers are. And then there are real actors, who are real good people.

I don't want to make videos that come out looking like commercials or movie trailers.

It's always the guys who have absolutely nothing to give that start screaming and yelling about their makeup and trailers. It's a diversion so you don't pay attention to them, because they stink!

Most movies, you have to try and forget you're making a movie, because there are trailers and booms and lights and marks, and it's everywhere.

Don't spend more than 10% of your marketing/PR budget on a trailer. Trailers have to be marketed, too. So, far too many authors wind up marketing their trailers instead of their books.

On a big film, there's almost no way you can meet everyone. On an indie, there are 30 people and no trailers to duck into.

High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script.

I would like to perform more in English. But there have to be many good things gathered for me to be willing to do a movie. I watch trailers of every new American movie and I'm, like, 'OK, I'm not missing anything!'

I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.

I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.

I've worked on films where the budgets are almost limitless and you're in trailers that are bigger than a hotel room. You're taken care of and the food is amazing, the quality of the job is amazing and then you work on smaller things but it never dictates my happiness or my willingness to go to work.

By year three, you get nicer, bigger trailers.

If people are worried about the size of their trailers, I kind of say their priorities are off.

They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.

For my 'Perfect Chemistry' series, I did movie-style book trailers, and my fans went crazy for them.